The new book has an introductory essay by design & architecture critic Jonathan Glancey who looks back to the formation of the Roundel & its typeface a century ago & considers why it's had such an impact not just in London but also globally across cities including Kuala Lumpur, Salt Lake City, Shanghai and Osaka
Claire Dobbin, former curator at London Transport Museum, also discusses the artistic uses of the symbol in from earlier decades. Created by calligrapher Edward Johnston and transport manager Frank Pick in 1908,
the ‘bar and the circle’ as the Roundel was originally known, was originally introduced to highlight station names on platform walls amidst the chaos of commercial advertising posters.
One of the artists Juneau Projects said of their roundel artwork, Cockades of the Revolutionaries: "The Roundel, for us, is a symbol of anticipation and relief, a silent travelling companion, whether outward or homeward bound. A travelcard becomes a canvas for daydreaming of moles and guitars impossibly torn from its surface."
The book will also have a launch event with a panel discussion on Tuesday 30th October at 7pm at the Hochhauser Auditorium, Sackler Centre, V&A Museum. Chaired by Jonathan Glancey, several artists who contributed to the book will be on hand to answer questions and throw light on the inspiration for their work. Find out more on Art on the Underground's site.